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Inosuke expresses his desire to interact with the train by letting his almost-sentient boar-mask billow out smoke as he flails his arms around and tries to hang out of the window. His dream is also a significant window into his mindset considering how torn apart he is from the trauma of seeing his deceased family members alive again, adding to the cruelty of what Enmu’s intentions are for killing the demon slayers in their dreams.įor lighter moments of the episode, adapting the manga’s goofier art makes it all the more amusing to see how Inosuke and Zenitsu handle being on the Mugen Train. His exaggerated, precocious expressions when he talks with Rengoku translate well from manga to anime as well, melding the bewilderment and curiosity he has for all of the new information he has to process as he gets to know the Hashira. Tanjiro is another character whose expressive nature lets us know that he is the kind of protagonist who wears his heart on his sleeve. Additionally, it shows us how humble he is considering how he was far more open-minded about Nezuko’s presence and sympathizes with his struggles. It’s a smile he retains while he’s talking with Tanjiro because, even if a topic Tanjiro brings up is out of his element, he understands and respects his perspective. In times of turmoil, however, it exudes confidence and an unwavering resolve as he is unshaken by anything that attempts to challenge his worldview.ĭuring calmer times though, it expresses his humble innocence as he is satisfied by the simple delights such as a good meal or a riveting conversation.
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It has its own charm as it reflects the short bursts of enthusiasm he carries, and ultimately gives us better insight on how he carries himself. In this particular episode, Rengoku’s cheerful smile is something that stood out for me. I’m in the minority that really likes the manga’s art because of how expressive the series’ characters are during light-hearted moments. The anime managed to create its own identity around art that’s significantly impressive, but one thing I feel is overlooked is how much it captures a lot of the manga’s charm. Enmu’s approach of targeting distraught people and giving them a dream with dead loved ones that will make them unwilling to wake up has to be at its cruelest when it comes to how torn up Tanjiro is about dreaming of his long lost family. He’s left to believe his struggles up until now had to be a dream within itself and forces himself to let go of his grief to catch up to his deceased family. Tanjiro’s dream is wickedly sadistic as it sends him right back to a time when his family wasn’t brutally murdered. Using people’s dreams to sadistically reunite them with deceased loved ones allows Enmu to leave his victims vulnerable by disarming them and making them want to stay in the dream world where they can be trapped and killed. He definitely sees his method of murder as an act of kindness on his behalf.īut as funny as it sounds, his plan to murder the demon slayers peacefully in their sleep and trying to get his hostages to play along with his plan isn’t without its sheer cruelty. His calming elegance and lulling voice are quite charming, and his approach of killing people in their sleep sounds far more benevolent than ripping them apart or setting them ablaze. You might be tricked into thinking that Enmu is surprisingly approachable for a member of Muzan’s Twelve Kizuki. This is also a perfect chance to discuss how interesting Enmu is as the main villain of this arc. And then, right when you start to feel that something is wrong, it immediately cuts to the demon slayers fast asleep as they’re plagued by Enmu’s abilities. As if it’s like a disarmingly cheery part of one of Freddy Kreuger’s nightmares or one of Pennywise’s illusions before he pulls out a human limb. While it was funny to see Inosuke freak out on the train and Rengoku pound down tray after tray of food, Tanjiro and his friends celebrating Rengoku’s awesomeness has an unsettling air to it.
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Rengoku slays a random demon that feels completely unrelated to the actual issues that are plaguing the Mugen Train. The bleak appearance of the train’s occupants was bad enough, but nothing about what happens afterward feels right.
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Tanjiro’s initial interactions with Rengoku and Zenitsu discouraging Inosuke from dangling out of the passenger windows is funny enough, but as soon as the conductor comes around to punch everyone’s tickets, we’re immediately shifted into a much heavier atmosphere. I love how hard the story hits like a brick once you’re made to realize how far south the situation has gotten on the Mugen Train.
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In TV format, however, it makes it all the more interesting to see how they handle the tonal shift once Enmu’s plans are underway. As the material starts shifting towards what’s featured in the film, Kimetsu no Yaiba: Mugen Ressha-hen’s second episode sets up the main conflict of the movie.